1. WATCHING YOU begins with a diary excerpt from 1996. How does this passage set the tone for the novel? Now that you’ve finished reading, who do you think wrote it?

2. Lisa Jewell includes a number of red herrings that lead the reader to one suspicion and then another. What were some of the red herrings you noticed in the book? Did you fall for them?

3. Early on, we see how Freddie thinks about his surveillance “project”: “Freddie was not a voyeur. Voyeurism was a form of control.... He watched girls in order to understand them. He was just trying to work it all out” (p. 38). Do you agree that his intent and motivation in spying is what’s most important? And in our privacy-deprived world (where our information, photos and even thoughts are often available online), what kind of watching is too much? How do we define an invasion of privacy?

4. Jenna Tripp describes the chat rooms her mother frequents as somewhere “she could go to have her craziness validated” (p. 130). Many people use online communities to form connections and feel less isolated, particularly if they feel misunderstood by those around them. Yet Jenna observes that her mother’s delusions are being exacerbated by talking to people with similar issues. Discuss what makes an insular community (like a chat room) supportive or detrimental. Can it be both?

5. Freddie recollects that his parents taught him not to embrace the diagnosis his doctors had given him because he would “always be so much more than a label” (p. 234). Do you think claiming an identity label, like the one Freddie eventually reclaims, is limiting? Why, or why not?

6. On page 239, Freddie tells Jenna about how his mother accommodates all of his father’s desires, from the food in the house to the temperature on the thermostat. Looking back at this passage with what you now know about their relationship, do you see this in a different light? Why do you think Nicola went to these lengths to bend to Tom’s wishes?

7. The complexities of the marital abuse described in WATCHING YOU undermine some of the assumptions we often make about what gives someone power in a relationship. What power dynamics do we see in the various marriages in the novel? How do these fit or defy our expectations?

8. A cult of personality builds around Tom Fitzwilliam, although once disillusioned, Joey wonders what she saw in him. What do you think enables someone to have such a widespread draw? Have you known anyone who amassed that type of adoration in your own life? Are there other examples from popular culture who Tom reminded you of?

9. Considering what the men in her life have told her, Joey wonders if, “while most women spent their lives searching for the perfect man, men sat around waiting to be chosen and then made the best of it” (p. 313). Do you think this is true? Why, or why not?

10. While it is normal for people, and particularly for schoolgirls, to get crushes on someone they shouldn’t become involved with, in WATCHING YOU some of these “crushes” appear to be unhealthy. Where is the line between infatuation and obsession? Who are some characters that you think fell on the infatuation side of that line? Who became dangerously obsessed? Looking at examples, what do you think distinguishes them?