1. How does “Nothing Right,” the title story and the first in the collection, set the scene for the rest of the book? What themes, relationships, and problems in “Nothing Right” are echoed in later stories?

2. “We and They” and “Nothing Right” both revolve around an unexpected teenage pregnancy. How are the young couples’ circumstances similar and different in each story? Which pregnancy seems to have a better result for the families involved?

3. All of the stories in Nothing Right take place in the Midwest or Southwest. In which of the stories is the setting particularly important? Which stories especially conjure up a room, a house, a city, or a landscape?

4. In “Party of One,” Nicholas Dempsey goes from thinking sisters Mona and Emily are strikingly similar, to thinking they’re nothing alike. What changes Nicholas’s mind? What similarities and differences between the sisters are invisible to Nicholas?

5. Discuss the effects of secrets and lies in the story “OBO.” Who is the most duplicitous and who is the most truthful among the story’s four main characters, Abby, Lucia, Michael, and Christine? What secrets are hidden within the Bonatello family home in Wichita?

6. In “Falsetto,” Michelle sees a reflection of herself, her brother Ellton, and her boyfriend Max, and “Just that quick, she quit loving her boyfriend.” (88) What brings about Michelle’s sudden change of heart? How does her decision affect her relationship with her brother?

7. Pairs of adult sisters are prominent in the stories “Party of One,” “Kansas,” and “People People.” Compare the relationships in each of these stories. How do these sisters by turns help and hurt each other? Which sisters seem to have the healthiest sibling bond? Which have the most destructive?

8. Much of the action in “Kansas” takes place on the family’s cell phones. How does each family member use the family cell plan? What cracks and fissures in the family are revealed by this collective plan?

9. Discuss the influence of déjà vu in “Biodegradable.” What encounters and relationships seem to repeat themselves over the course of the story?

10. In “Shauntrelle,” Constance compares Fanny Mann’s first impressions to her own: Fanny Mann appears warm, while Constance appears cold. When do these impressions appear true? When do the two women seem to switch warm and cold roles?

11. In both “Or Else” and “OBO,” a character lies to gain entry into another family’s home. Compare and contrast David’s and Abby’s motivations for deceit. Which character’s reasons for lying seem more justifiable? Which liar appears more desperate by the end of the story?

12. “Or Else” ends on a question, as Danielle and David stand outside the Hart house: “Danielle asked [David], “Do you wish you were in there, instead of out here?” (239) Does David’s negative response feel like another lie, the beginning of a truth, or a combination of the two? Why does the story end on this uncertain note?

13. Adultery takes place frequently in Nothing Right; many of the characters are beginning, ending, or negotiating an affair. Discuss how Nelson portrays adultery in each story. On the whole, does she seem to humanize or demonize these sexual impulses? Explain.

14. In many of these stories, dead lovers or relatives have a strong hold on living characters. Which characters seem mostly motivated by grief? Which characters seem able to overcome their losses?

15. If you’ve read Nelson’s stories or novels before, how does Nothing Right compare to her previous work? If you’re new to Nelson’s short stories, which made the strongest impression?

16. According to the San Francisco Chronicle, “Nelson, an astute observer of everyday conflicts, has skillfully mapped out life in this unforgettable collection, and sooner or later a reader will run into herself in a story, the character’s troubles as real as the reader’s own.” Did you find a version of yourself in any of Nelson’s characters? If so, which character spoke to you?