1. Edward St. Aubyn describes Patrick as being torn between the lure of consolation and the lure of disappointment. Why does he find those options alluring? What aspects of a powerful, albeit masochistic, bond are captured in the fact that he mourns not the loss of his mother but the loss of longing for closeness to her?
2. Why does Nicholas derive pleasure from being snarky? In the book’s opening scenes, was it fun or annoying to see him creating tension, on what should have been a somber occasion? At the end of the novel, do people react to his closing chapter with phoniness or candor?
3. Discuss Eleanor’s marriage to David and what we learn about it in this novel. Why was she unable to choose between being his collaborator and his antagonist when it came to raising Patrick?
4. Patrick contemplates Eleanor’s emotional legacy throughout her funeral. What legacies will he leave for Robert and Thomas? How is he able to break the cycle of his family’s cruelty?
5. Discuss Annette’s observations about Eleanor’s spiritual side, delivered in a fairly lengthy eulogy. How does Annette’s depiction compare to other impressions of Eleanor? What would Eleanor have thought of these spiritual philosophies, and those that Erasmus continues to ponder throughout the service?
6. What does Nancy’s spending say about her memories of Jean, her stepfather? Why can’t Nancy simply accept the reality of her situation? Why is the myth of endless wealth important for her to uphold?
7. St. Aubyn has spoken candidly with interviewers about the horrific incidents from his own life that inspired aspects of Patrick’s story, including being brutalized by his father and recovering from drug addiction. How does it affect your reading to know that the plot is partially autobiographical?
8. What makes St. Aubyn a master of the art of gallows humor? Why are morbid subjects and despicable people often the best material for comedy?
9. On page 262, the author describes Patrick as getting comfortable with Keatsian mysteries, finally open to questions that can’t necessarily be answered. What questions in your life and legacy can’t really be answered? How could you make peace with this uncertainty?
10. Discuss the author’s notion that those who appear to deserve the most blame actually deserve the most help. When is this true in the novel, and in your own life?
11. Why was it easy for Eleanor to give charitably to strangers but not to her own family and staff? What does her generosity say about her personality? What were some of the most striking differences between her public and private personae?
12. How does the transatlantic connection enhance At Last? What is Patrick’s perspective on America, and how is his identity shaped by knowing about Eleanor’s grandfather Jonson? Why was Southern culture meaningful to Eleanor? Did her image of it extend very far beyond the stereotypes of Porgy and Bess?
13. In At Last, how do Patrick’s interactions with Mary, his wife, compare to his interactions with Julia, his former girlfriend? Is his attitude toward women different now that his mother is gone?
14. Discuss the transformations that Patrick has experienced in the Melrose novels you have read previously. He has evolved from anger and addiction to middle-age crises; what has he become in this final portrait?
