The Umbrella Country
by Bino A. Realuyo
List Price: $12.95
Pages: 320
Format: Paperback
ISBN: 0345428889
Publisher: Ballantine

Miss Unibers
A bird died at the first sign of flooding.
From our second-story window, I could connect all forms of destruction with a seasonal song while I
watched our neighbors fill up Tupperware, buckets, and drums with rain
to be carried inside, but still, we quietly resisted the rain. The higher
the flood rose, the more lives it took, sometimes animals--rats, dogs,
frogs--floated in the flood and sometimes people and homes, which I had
not seen myself but heard so much about. It was only this time of the
year when I felt that there was more than enough of anything for everybody.
As long as I could remember, water has always been scarce; it often got
cut off or dripped out of the faucets. Not that I looked forward to floods
because most of that type of water we couldn't use anyway, but the sight
of water gushing out of nowhere always reminded me that somebody up there
understood what was lacking down here.
A quick slam of wind pushed
me away from the window, closer to Pipo who was on the floor beside his
Miss Unibers box.
"What are you going to wear this time?" I asked, when I saw him cutting little crescent-moon-shaped
pictures out of magazines. No answer. I could only hear the gush of humming
rain outside and murmurs of little children as they playfully chanted
over the death of the little Maya bird, slowly being whirled into the
sewer.
Meanwhile, Pipo studied a black-and-white picture he had taken from Mommy a while back. Although
he never asked me to watch the door or listen to approaching voices and
footsteps, I would always stand guard whenever he did this, so nobody
could suddenly walk up the stairs and catch him.
"Are you wearing that?"
Miss Unibers, our game of the season.
Games appeared and disappeared in our street. When they came back, if they ever did, they would usually
take another form, like soft drink bottle caps: gambled with one year,
shot up into the gutters the next, and flattened to become caroling instruments
at Christmas. It happened every few months to accommodate the changing
weather, but no one could really tell what we would come up with next.
Unpredictable as typhoons, pabago-bago ng isip, the elders would say about
us because our temperaments changed quickly, sometimes long after a flood
or before all our rubber slippers were made into boats.
While all the other boys gambled with marbles, playcards, and rubber bands to know who would be ruling
our street next, the rest of us busied ourselves with Miss Unibers in
those last days of the sun. I remember it clearly:
I was standing at the back of the red cement steps of English-speaking Titay's verandah, watching
with dismay the two contestants left in front of us. Plants in big terra-cotta
pots made leafy walls on either side of the stairs and the big, old wooden
doors carved with the letter R. We were hidden from outside, from other
children like Big Boy Jun and his marble-gambling friends who would surely
taunt us upon seeing us in costumes. The tall plants absorbed our voices,
even English-speaking Titay's loud, cracking one.
"Secon-runnerup, Miss Germanee!"
Her voice was an out-of-tune song.
I clapped my hands to a succession
of questions, overlapping like the rat-ta-tat yells of newspaper boys
in the morning: Why was everybody so quiet when I sang? Would I ever make
it to the top three? Did I have to sneak out in my mother's clothes to
win this? Wasn't a wraparound of bedsheets and curtains enough for a gown?
"Firs-runnerup, Miss Ha-why."
English-speaking Titay gingerly
pinned the sequined sash around Ling-ling who was wearing her first holy
communion dress, layered with lace. English-speaking Titay was known for
harassing boys with her big, flabby arms and her English in such a way
that nobody would engage her in an altercation, mistaking the thickness
of her skin for English proficiency. "What chu want?" she yelled at a
boy one time, and the boy ran away, frightened not by English-speaking
Titay, who was shorter than him, but by words he couldn't understand.
I fingered the edge of my
glittering sash as I gawked at the plastic table roses stuck across Ling-ling's
chest, the green stems visible from afar. I had thought about wearing
something similar but I couldn't find any in our house. We had only kept
real plants; cutting parts of them would probably kill them. Ninang Rola
would certainly get upset, especially after having patiently spent a great
deal of time applying egg white on the leaves for them to glimmer. I grabbed
my falling wraparound, wondering what had happened to the big safety pin
that kept my costume in place. "Stop wiggling." Ling-ling turned to me
with huge eyes and a whisper while she faked a smile on her face. Born
a duck, she grew up into a girl. But even at the age of nine, she still
possessed all the characteristics of a duck: her toes were so spread open
that pebbles would always get caught between them; she lifted one leg
to rest; her tongue was too small, she squeaked when she spoke.
"Tenk chu. Tenk chu. Eeek."
The winner stood there, towering
over all of us. Unlike me, he hardly had a spot of sweat on his face.
His costume was an island spice, flavored with candle-wax fruits on his
head and a very, very tight nightgown, the one Mommy had been looking
for for over a month. For days, she attached puñeta to all the
names of our closest relatives--puñeta Mrs.-from-across-the-street,
puñeta Sgt. Dragon Dimaculangan, puñeta Baby Cherry Pie--blaming
the neighbors for stealing our clothesline with fishhooks. I never said
a word. I wasn't even surprised to see Mommy's nightgown appear again
as a gown with heart-shaped pieces of velvet fabric pasted all over it,
shoulder straps replaced by a plastic vine of sequined multicolored leaves,
a lace table runner on his back like a cape. All of them looking familiar.
Even him. Pipo. Miss Unibers.
For the third time.
The rain swooshed so heavily
that the sliding window shutters almost shook out of their grooves. I
held them firmly to keep them from falling over. Behind me was Pipo. Behind
me, our room. Pipo. This room layered with wallpaper over the years. Mommy
said I was born here. In this very space, a few months after Pipo was
born, I was conceived. It could have been raining outside, too; that was
when couples like Sgt. and Mrs. Dimaculangan had nothing better to do
but make babies. It could have been during the summer, during one of the
brownout nights, when the city tried to conserve energy and turned everybody's
lights off. Those nights, when mosquitoes haloed people's heads, they
slid the shutters closed. Then I was conceived. Then I was born.
There was one big bed in the
middle of our room.
Mommy and Daddy Groovie slept
there, where I could have been conceived but no one would say. They never
spoke to me about things that happened before my birth as if our lives
only began thereafter. When I looked at the bed, I always imagined Mommy
and Daddy Groovie's cockfight at night, thinking I could have been conceived
immediately after what they did. That same bed was where I spent mornings
as a small child waking up in my own wetness. Mommy covered the mattress
with a multifold of blankets because of the stains I left. She decided
one day to stuff my Jockeys with thick pieces of carefully folded cloth
so that when I wet at night, I wouldn't wet the bed. I would go to sleep
with a huge bulge in my shorts. Every morning when I woke up, the cloth
was soaking wet. And so was the bed. A bigger wet spot overlapping with
the other stains. Mommy said I would ruin the bed by peeing on it all
the time, so she decided to move us into a bunk, me on top, Pipo on the
bottom. The mattresses were thin. In a few months, they were thinner.
The following year, I stopped wetting myself. I dreamt that I was inside
an empty drum that we used to fill with rainwater. Somehow, being inside,
the drum was taller than me. The paint inside peeled. It began to rain.
Not until the rain reached my neck did I realize it was my own pee. Boy
Manicure, from the beauty parlor five houses away, was there. Although
I couldn't see him, I knew he was watching and laughing away. It could
have been the sound of his laughter that reverberated inside the drum
that woke me up, or the sudden flash of his Technicolor Revlon face in
front of me. But I knew when I woke up I was dry, and I had been waking
up dry since. I told everybody that a dream of rain healed me. Ninang
Rola attributed the change to God's blessings, which for her, and many
of us, came through rain from above.
A window in a house. A big open eye that never slept.
The same window where Daddy
Groovie spent his days sitting, watching the movement of life outside
while he chewed on his peanuts. He would wilt like guava leaves on a hot
summer day, collecting his dreams of the States, putting them in little
heaps the way he would peanut shells. Sometimes, the wind would blow his
peanut shells and Pipo and I would catch them like falling yellow leaves.
Once, he created paper boats that never sank in the flood. He must have
seen Pipo and me struggling with little boats made of paper, cardboard,
or rubber slippers. He taught us how to make them. I was seven then. Another
moment with Daddy Groovie worth putting in a picture album because it
was never to happen again. While it rained outside, Daddy Groovie taught
us how to fold the paper differently, what edges to cut, and once the
boat was done, where to prop it up with a Popsicle stick so that it wouldn't
sink. He would say over and over again how lucky we were to learn this
from him since his own father never taught him anything, how there were
certain things we had to discover ourselves. While Pipo built the paper
boat himself, I was imagining how many black ants I could put in the boat.
I lost one of the paper boats one day; when I found it again, it was still
floating on the flood, resting on a stone, the ants very safe inside.
At times, we would put black and red ants together in one boat and see
what they would do to each other while floating on the flood. Nothing.
They just made little holes in the paper.
Little windows on a boat.
Pipo would never give up.
"Could paper planes fly better?" He once handed Daddy Groovie a plane
he had just made. Daddy Groovie took it from his hands, watched
it fly into a curve, go into
the back of the cabinet and disappear. "Now you know," was Daddy Groovie's
response while he walked away laughing. "What do you think of that, PanAm?"
Pipo attempted again a few times--a house made of Popsicle sticks, a sword
made of bamboo, the proper way to turn slippers into boats. Each time
Daddy Groovie ignored him, saying, "About time for you to learn this yourself."
Since then, Pipo learned to discover all on his own houses in shoe boxes,
paint in nail polish, dresses in curtains. He learned to use his hands,
sometimes acquiring Daddy Groovie's heavy hands, chasing me with them,
hitting me right on the head, my back, or using them to throw things that
he could never improve: a tilting cardboard that was supposed to be a
choo-choo train, a worn-out slipper sliced in half to be a boat, a shoe
box dripping with nail polish that could have been a newly polished doll
house, and a Miss Unibers nightgown ripped in the middle.
Soon rain became the rhythm of humming, creating so many different sounds,
so many songs for this flooded city. The thickness of the season lay on
the ground, at least ankle-high. People sang or whistled while they plodded
through the flood. I could hear little children singing for the sun to
come back. Radios were on, alternating between early morning love songs
and weather news updates.
Inside our bedroom, I repeatedly
hummed a song I sang at our Miss Unibers. I could still hear the enveloping
silence when I delivered my bathroom-rehearsed talent. Nobody looked at
me. It would have been better if they laughed or expressed some form of
emotion so that I could know how bad I was. I knew I couldn't sing and
didn't have any other talent. Just this round, owl-eyed face. Twin balloons
for cheeks as if I were always keeping air inside my mouth, about to blow
Juicy Fruit. Lower lips protruding so that one could see the soft flesh
inside, a mouth of pouting, a mouth that always seemed to cry. Gaps between
chipped teeth, so that whenever I saw a Colgate commercial I felt that
everybody was looking at me, up and down, my mouth getting smaller and
smaller, this giant toothbrush attacking me.
My face was similar to the
dark, except night became day and my face stayed the same. Many times,
I had attempted to transform it by smiling differently, masking it behind
daydreams of beauty queens in the black-and-white pictures Mommy kept
from the sixties. Long glittering gowns. Mesmerizing bouffant hairdos.
Arms and fingers, bent and spread out like mannequins in eternal postures
of display, or like Virgen Maria on church pedestals, rings of flowers
curling around her fingers, every week a new one. I imagined I was the
mannequin at Aling Tina's tailor shop at the end of our street, whose
dress changed every week. I would have the long and light-colored hair
of Delilah de Samsona, the mannequin at Boy Manicure's beauty parlor.
The perfect angular face of Sonja Carolina Santa Cruz, the head of a mannequin
that mysteriously appeared and disappeared on Mommy's decade-old Singer
Machine. But somehow I always ended up looking plain and flat, and my
costumes like the old blankets that Mommy dressed the ironing board with.
And the one who managed to
come up with the best costumes was the same one who secretly stole Sonja
Carolina Santa Cruz's mannequin head to use for fitting his hairpieces,
kept his Miss Unibers box under the bunk bed. But deep inside me, I knew
that he was born with the ability to turn towels and bedsheets into the
most decorative gowns, and to walk with grace on his long legs without
bending his back or losing his balance. That I could never quite get right.
I didn't have the gift of long legs. Towels hung lifeless around my neck.
I never thought about wrapping them around my head, the way Pipo did all
the time, even at home. At our first Miss Unibers, he capped his head
with Mommy's floral towel, a huge hairpiece, with all the flowers decoratively
showing, and so high, twice the size of his head! He became Miss Kodak.
Miss Swimsuit. Miss Long Gown. And eventually, Miss Unibers.
The flood left a layer of mud on the ground. Rubber slipper prints just
about everywhere. Our neighbors were talking about how the streets were
cleared of beggars, how walls were built to hide the slum areas not far
away from here, this way the foreigners couldn't tell they even existed,
how men and women were hired to clean the streets in red-and-white uniforms
and to flash welcoming smiles, how we should all keep clean and stay around
the block because somebody might come and pick us up thinking that we
were children of the streets. It was a rare occasion--Miss Universe--in
our country for the first time. You could tell the excitement in people's
faces. Everybody was betting on either Miss Finland or Miss Spain to win
it. O, I'd bet my prize cockfighter for MisPain, O?
Amid the thrill and confusion,
my playmates gathered at English-speaking Titay's house to watch the Miss
Universe show on TV.
Sergio Putita babbled about
how so many Stateside people were arriving, as if they would come near
here.
We only saw them on TV. He
added that since people were asked to smile at foreign visitors to the
city that he was smiling every day. Everybody was acting unusual, too,
especially Pipo, who couldn't wait to see the show so he was being extra
friendly to English-speaking Titay for a whole week.
"What's that?" English-speaking
Titay asked, turning to the window.
"Sounds like our General Electric
fan," Pipo said, getting up from the floor that was so polished we could
see ourselves in it.
We all ran to the window to
see what the sound was. The window was not like ours; it was new, white,
and made of metal, the glass thicker and rougher. Outside, the newspaper
boys yelled and pointed at the skies. A helicopter roared above us. I
knew that helicopters had been regularly circling the skies that month.
Before I looked above, I noticed Boy Spit, standing in front of the procession
of newspaper boys, as if leading them.
Sergio Putita squeezed in
between Pipo and me. "You know what they're doing?" He began another one
of his made-up stories that no one ever paid attention to. "Those are
government helicopters trying to blow away the clouds so it won't rain
again, especially during Miss Universe. We talked about this over dinner
at home. Papa said it was embarrassing for the beauty queens to get wet
in the rain because it never rained where most of them came from. So while
it was raining here, they all traveled to the south somewhere. The president
wouldn't allow it to rain again tonight so he sent off his helicopters."
Sergio Putita spoke so proudly of what he knew. I stared at the ground,
wondering how the government could hide the mud.
Putita. Little Whore. Sergio
Putita claimed he invented Miss Unibers. It wasn't rare to see him singing
"Sunrise, Sunset," his favorite song, and walking up and down the verandah
steps and posing on the threshold, eyes flushed with an appetite for dreaming,
spit drying in the corner of his lips. Pipo usually followed to show him
how he should keep his back straight and tilt backward a little bit. They
held each other up on the landing, cheek to cheek, smiles so big and fake,
flashing missing teeth. It was English-speaking Titay who shouted, "Miss
Unibers," but Sergio Putita screamed, his high-pitched voice sending summer
birds back south.
"Look!" Sergio Putita pointed
toward someone who was pulling his shorts up. "Big Boy Jun. He's so ugly.
Even from up here, he's so ugly."
They all laughed. I continued
watching Boy Spit.
"Ugly. Ugly." Sergio Putita
started yelling at him so that they all ducked under the window. I hid
behind the curtains.
Sergio Putita came from the
most religious family in our street. They ran all the Virgen Maria processions
on Sunday nights. Anything that had anything to do with prayers, their
family name was connected to: his mother sang at the church on Sundays;
his father played the piano; his brother SWAT was an altar boy before
he took odd jobs. Their house was full of tall wooden statues of saints
with shiny faces and lifelike eyes, clothed with beads and lace that Sergio
Putita hid in rice sacks and wore to Miss Unibers many times.
"Shhh. La Madre Patria is
back," screamed English-speaking Titay's maid while staring at Miss Spain,
although nobody understood what she meant. They all started walking back
to sit on the floor. The newspaper boys began their parade, Boy Spit still
ahead. While he walked past, I focused on his voice, ignoring the roaring
sound above.
When I sat back down on the
wooden floor, Miss Aruba was gracing the screen. Everybody thought she
was from the province up north. Dark. Big eyes. Thick curly hair.
English-speaking Titay's maid
remarked, "She's so dark. Must be Ilocana!" When the wrinkly old emcee
whose name we could never say called Miss Aruba as second runner-up, the
maid walked out, her face looking like she just dipped a slice of raw
mango in vinegar and ate it.
"Aruba Ilocana beauty. España
Puta-Puta. Pwehh."
She had no concept of countries
but I had memorized all of them. But I also never thought Miss Aruba could
be so dark. I looked at my skin when I looked at her. She was darker than
I, although on TV, they all came in different shades of gray.
Miss Finland's name was announced.
English-speaking Titay panicked, pointing to the TV. "Oh, oh, oh, look,
oh, oh."
"What? What's wrong?" asked
Pipo.
English-speaking Titay stood
up and ran off. When she came back, she was holding her doll. "Look."
She put it next to the TV. "Look at MissFinlan, she looks like my doll!
Oh, oh, oh, look!" She started jumping on the floor so hard that the rubber
bands on her ponytail snapped off. The doll was a smaller version of Miss
Finland--even on the black-and-white TV, it was easy to tell that she
had blue, sunken eyes. "MissFinlan, that's your name."
Finally Miss Spain ran away
with the glittering crown. We all watched attentively and nervously, wanting
more than anything to fall all over her knees. Ling-ling, as dark as Miss
Aruba, had that big-teeth smile on her face. The beak of a duck. Sergio
Putita watched so closely that his mouth began to bubble. And my brother--he
sat in the back in suspicious silence--I knew what he had on his mind.
This reigning queen. Thinking he could do it again. Copying Miss Spain's
big-teeth smile as well, studying her walk, her hairdos, her glowing eyes,
her gait. Contemplating my death, my embarrassment. His skin glowed even
more, getting lighter and lighter.
A whole city of children held
in her spell.
"Where is Pipo?" Mommy asked
before she sat down for dinner. I had removed the empty chair hoping that
nobody would notice he wasn't there.
"Studying, perhaps?" replied
Maricon. Her tone was one of disappointment because nobody touched her
bifstek.
"Viernes? Viernes? Qué
se joda, Maricon!" Ninang Rola had bellowed earlier in the kitchen, seeing
the slices of beef floating in sautéed soy sauce and onions. "Qué
se joda, Maria Consuelo Buenaventura. Viernes. Friday. No meat. Don't
you know what's forbidden anymore? Enough to be with you in a lifetime!
Don't drag me to hell. Santíssimo Rosario!" Of course, I knew she
overreacted, as always, especially once she began saying someone's whole
name. Maria Consuelo. Consuelo de Bobo. Good for nothing, Maricon.
"I saw him with books earlier."
Maricon poured peppered vinegar into a bowl of fish sauce.
"On a Friday?" said Jean and
Jane Lacsamana, the twin sinners, feasting on the bifstek that everybody
ignored. We called them Protestants, another English word that was hard
to say. Whoever they were, they had their own rules.
I knew where Pipo was, of
course. This wasn't the first time he had missed dinner.
"Gringo. Where is Pipo?" Mommy
read my mind.
"I don't know." I wanted to
cover for him. English. Math. Religion. I wanted to say. Art. P.E. I wanted
to add. But seeing their wide-eyed gazes made me realize it was perhaps
too late; certain decisions were already made in their minds. But what
was left to say? It was Friday. I quickly spooned rice into my mouth,
and said in a low voice, "Studying ..."
"On a Friday?" hollered Jean
and Jane Lacsamana.
"Yes, I think," I said, locking
my jaw and staring at the twins. These boarders, I thought, you never
know whose side they're on! Although I told everybody in our street they
were my cousins, they were as unrelated to me as
English-speaking Titay's blue-eyed
dolls. Even though we were all as dark as the soy sauce in the bifstek,
I never felt close to the twins, knowing that they weren't here to stay,
just like the rest of our boarders in the past. They occupied the other
big room in our house; just the two of them while the rest of us either
lumped together in one bedroom like an Eveready matchbox, or like Ninang
Rola and Maricon, on a cot or on reed mats on a cold floor downstairs.
Daddy Groovie pushed his chair
back, grabbing the edge of the table for support. I could see the rush
of blood to his head. We had sat facing each other for years, the oldest
and the youngest at opposite ends. I knew that blood. I knew when it went
up to his brain. I had seen it with a San Miguel beer in his hand. The
Spanish temperament Ninang Rola warned us about: Run away, when you see
it, you must!
His steps on the stairs were
as heavy as my whole body sinking into my seat. There was quiet at the
table, as if everybody had lost control of their hands and couldn't lift
their spoons. They couldn't swallow anymore. With head bowed and lips
pursed, Jean and Jane Lacsamana got up and went to the kitchen. The rest
waited. I stood up.
"Where are you going?" asked
Mommy.
I pretended I didn't hear. I knew where Pipo was. That was where I was
going. I knew what he was doing as well.
I sat on the landing of the
steps upstairs. The door to our bedroom was closed. I could hear low voices
downstairs, Ninang Rola advising Mommy not to follow. "When he's like
that he doesn't see anyone," she was saying, "not even you and you know
it."
Mommy listened to her in silence.
I wanted to go back down and
tell her to stop Daddy Groovie but she probably already thought about
it and decided to stay.
The long yantok was slicing
the air. I could feel it land on Pipo's skin. This was always the way
with Daddy Groovie. There was the need to hurt Pipo, whip him with his
long, smooth, rounded bamboo stick that he had kept for us before we were
even born. A dialogue with his firstborn son, he called it. I could hear
him cursing. Puta ka. Lalaki ka ba o ano? Huh? Huh? Are you a man? Who
do you think you are, Boy Manicure?
Another whip landed on Pipo,
another landed inside me. Boy Manicure, I repeated. Daddy Groovie always
mentioned that name to Pipo as if it was one of his curses. I sat there
knowing I could have done something; I could have said he's sick, he's
in bed. They always believed me. I imagined Pipo cringing in one corner,
hiding, as if the yantok couldn't go into the deepest corners of our room.
Daddy Groovie trudged out,
still cursing. I bowed while he walked past and hid my head for cover,
putting it between my knees and wrapping it with my hands. In darkness,
as I closed my eyes, I saw Daddy Groovie's eyes, those angry squinty eyes,
hurting Pipo, staring at me.
The door slammed behind him
and opened. As soon as I stood up, Pipo came out of the room, dirt shaped
by his fingers on his wet face. The red lines on his legs looked like
long, squinty little eyes. Pipo looked at me with Daddy Groovie's eyes,
the squint of revenge. He grabbed my hair and banged my head against the
wall and then ran away. My head almost hit the nail where we hung the
broom. A spot of blood was left on the wall. I was too frightened to be
hurt. There were quick exchanges of words downstairs. I walked into the
room and shut the noise out.
Pipo's Miss Unibers box was
on the floor.
For several nights, he skipped
dinner to prepare for our next Miss Unibers. I always found a way to make
sure he could do that, although he never knew I covered for him. His Miss
Unibers box was lying on its side, wide open. Strings of fabrics were
all over the floor. Scissors, Mommy's black-and-white pictures, a Miss
Spain sash and all the other reasons why he won the contest three times
in a row. Little hills of sequins separated me from the box. Don't touch.
His voice appeared in my mind. Don't you ever, ever touch this. I thought
about how many times I snatched bed-sheets two hours before Miss Unibers
and blanketed them around my body only to be laughed at. How I never had
a chance to be one of the three finalists so I could at least announce
the best interview answer I had prepared in my head for so long.
I walked past the box. No
touch. No touch. The sliced air whispered softly.
Jeepney smoke swirled into the room the following morning, filled with
signs of a good day. I was awakened by noises of people cleaning the street.
I looked out the window and saw a few men throwing rainwater on the mud
while complaining about the possible casualties of another big typhoon.
Thank goodness the flood went down fast. Some had already started mixing
paint for their doors. A group of women argued about what color to use
next, if yellow or orange or anything bright would bring luck. "How about
mud," one woman joked, "the color of his face." She pointed at an old
man with a rooster who was maliciously gawking at them.
I wandered about in the room
only to see Pipo's Miss Unibers box in the corner. He wasn't on his bed.
I ran to the open door and heard morning voices downstairs. I slowly closed
it and pushed their voices out.
I walked closer to the box.
I tried to forget about what happened the night before. The yelling. The
sound of air being sliced. The cursing. The smell of blood. Although I
could feel the cardboard Jesus with the glowing heart on the wall observing
me, my curiosity dug into the box. The feel of fabric rolled around my
fingers. The fact that Pipo kept it from everybody thrilled me even more.
The secrets in the box. Every minute, I cherished my discovery. Heart-shaped
velvet fabrics. Jewelry made of tin cans. The curtain embroidery he wore
the first time he won. Coconut husks. Even Sonja Carolina Santa Cruz,
the mannequin head. And what was this--?
Long, smooth, black fabric.
It clung like a cape with a hood on the top. Immediately, I thought of
funerals, the blackness of brownouts. I wore it, touching its mystery,
caressing its possibilities.
I was going to be the last one called. Miss Unibers at English-speaking
Titay's verandah started very late. There were ten of us, double the usual
number. I could already hear the names of countries: Aruba, Finland, at
least three Miss Spains. Other kids from the neighborhood heard about
it and came, a diversion they couldn't miss. From the applause down the
verandah, I could tell there were at least a dozen people watching. The
flood had connected the houses, linking secrets we had kept so long, the
reason why we have never done it again since.
English-speaking Titay called
Ling-ling. She was the third Miss Spain and number eight in a row. She
copied Miss Spain's hair by wearing her mother's wig that smelled of mothballs.
The redness of her cheeks was uneven, with remnants of the lipstick she
had accidentally broken on her face earlier. She wore her older sister's
yellow sweet-sixteen dress, a plastic lollipop in her hand. When she opened
the door to the steps, I caught a glimpse of the children squatting on
the verandah clearing, ten steps below us, giggling, covering their mouths
with awe. They sat close to the walls of dwarf trees and thick pots of
plants, leaving a huge opening in the middle for us to walk around.
Sergio Putita was number nine.
I peeked through the crack in the door. His shoes made cloc-cloc noises
on the steps. There were screams as he showed his costume: star-shaped
aluminum foil cutouts glued to his skin with flour paste, enough to cover
his private parts. He had stars on the exposed cheeks of his buttocks.
He raised his hands up in the air, spreading his fingers, like a fan.
He turned to his side. Pushed his shoulder back. Lifted his chin. Bent
his knee. Walked down sideways. Rested the knuckles of both hands on his
forehead. Then threw the blanket that he covered himself with. Putita.
Putita, they cheered. "Misssss Finlann," he screamed, matching the loudness
of their voices.
I found myself shaking down
to my knees. I could see ten steps down and my head bouncing on each and
every one of them. The door opened, the breeze came running toward me,
and with it, silence. Eyes examined me from head to toe. My hood covered
part of my face so that all they could see were my big eyes. The sides
covered my cheeks so perfectly that they couldn't see my entire face,
which was heavily covered with Johnson's Baby Powder. I thought of Pipo
as I took my first step into the verandah clearing. As my clogs touched
the tread, the wind blew again, into my outfit, inside, gently pushing
my cape as if dancing with it, so naturally.
The silence was even deeper
now, but I knew it wasn't the sound of shame. They all looked at me and
I didn't see the shame of Daddy Groovie's eyes in them. I imagined how
Miss Spain--Miss Universe would have handled this situation, so while
delicately taking my third and fourth step down, I pulled the string around
my neck, releasing my cape to roll down the steps. So magically. I could
hear their hearts jump.
Now they could only see the
nightgown that Pipo stole. Except this time, it was loaded with glittering
beads and sequins shaped into stripes and stars. I slowly lifted my hands
from my side as if spreading my wings, then put them together above my
head to curl around each other. While flirtatiously sliding one hand down
to my head, I leaned backward and pointed my clogs against the edge of
the step.
Halfway down, I stopped, holding
still. I thought of Pipo again, the way he looked through me when he won
Miss Unibers the last time, as if our blood was not connected. I thought
of how he should have been here, how he could have easily won this, with
his legs so long, skin so light, he would have beaten all the other Miss
Spains. Suddenly I saw squinty eyes of blood, heard sounds of whipping
and the loud banging of my head against the wall, a sound that has since
stayed at the tips of my ears.
Pulling my shoulders back,
I lifted my head to taste the embracing breeze. No more typhoon, I thought,
no more typhoon.
And I took one last step down,
hands resting on my waist. I examined each and every one of them, realizing
how much their silence meant to me, capturing them with one blank stare.
"My name is--Sonja Carolina
Santa Cruz viuda de Amparo Muñoz Pilipiniana ... SMITH ... I'm
Miss Woodside--Miss Nuyork ... I'm Miss USA."
Use of this excerpt from The Umbrella Country by Bino A. Realuyo may be made only for
purposes of promoting the book, with no changes, editing or additions
whatsoever, and must be accompanied by the following copyright notice:
copyright ©1999 by Bino A. Realuyo. All Rights Reserved.
Courtesy of Random House, Inc.
Excerpted from The Umbrella Country © Copyright 2012 by Bino A. Realuyo. Reprinted with permission by Ballantine. All rights reserved.
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