News of the Spirit
by Lee Smith
List Price: $11.00
Pages: 304
Format: Paperback
ISBN: 0449002268
Publisher: Ballantine Books

Blue Wedding
Sarah can't keep her mind
on the spoons. So she starts over, counting right out loud, "One, two,
three, four," pursing her lips in that way she has, fitting each newly
polished spoon carefully into its allotted space in the big mahogany silver
chest. Thirty-six spoons, all accounted for. Normally this is the kind
of job Sarah just loves, but today it's so hot, hotter than the hinges
of hell in here, and she is distracted because Gladiola Rolette, who's
polishing the spoons and handing them over to her one by one, will not
shut up, not for a single minute. Gradiola beats all! She does not seem
to understand that it's her fault it's so hot in here, that she should
have called a repairman the instant the air conditioner went on the blink.
Gladiola does not even seem to understand that it's her fault Sarah has
to count the silver in the first place. But Gladiola just let it all go
during the last six months of Daddy's illness, forks and spoons jumbled
up together, the butter knives scattered to the four winds. And furthermore,
it is perfectly clear that Gladiola has been giving her trashy family
the entire run of this house.
Sarah has seen the signs everywhere--unfiltered
cigarette butts in the flower beds, a beer can stuck in a planter on the
portico, a lipstick smudge on the drinking glass in the downstairs bathroom--why,
even the furniture has been rearranged! Gladiola herself would never think
of doing such a thing. But her daughters, both of them hussies, would.
They've got ideas, Gladiola's girls. Sarah has watched them grow up.
Right now Roxanne, the younger
one, could not possibly be a day over seventeen but could pass for thirty,
she looks so cheap and jaded with that spiky black hair and all those
holes in her ears. Gladiola's older daughter, Missy, is down in Atlanta
getting certified to be a massage therapist, or so she says. A massage
therapist, ha! Sarah can just imagine. Of course Missy has already had
one baby out of wedlock, that fat little girl out there digging in the
mint bed right now with a spoon. Probably a silver soup spoon, Sarah would
not be one bit surprised.
Little Bonnie comes to work
with Gladiola every day, and eats everything in the house. This is a pure
fact. Sarah had no idea until she came back to bury Daddy and stayed on
to clean out this house. Somebody had to! Oh, a lot has been going on
here that Sarah didn't know anything about. These Rolettes have practically
taken over.
But of course it is all Hubert's
fault. Hubert is Sarah's brother, the district attorney, a rumpled, distracted
man. All Hubert cares about is his job, and all his northern egghead wife,
Mickey, cares about is taking classes at the community college, where
she earns degree after degree, or claims to. So Hubert was perfectly happy
to hire as many Rolettes as it took and close his eyes to the havoc they
wrought, just as long as everybody stayed out of his hair. Hubert! Hubert
has no standards.
Sarah practically slams the
knives into the silver chest, thinking of Hubert, Hubert who talked so
mean to her the last time she came home and tried to make some reasonable
suggestions about what to do with Daddy. Hubert wears wrinkled suits and
horn-rimmed glasses way down on the end of his nose. He looked at her
over the rims. "Hell, Sarah," he said, "Dad's fine. Just leave him alone.
He likes to pile newspapers all over the house, he likes to have Gladiola's
granddaughter around, it keeps him company. He likes to stay up and watch
the talk shows and then sleep until noon, so what's the harm in it?"
"People ought to get up in
the mornings," Sarah said. "A regular schedule never hurt anybody." Sarah
herself has not slept past seven a.m. in twenty years. She eats one-half
cup of bran cereal with banana for breakfast every morning of her life.
Gladiola, on the other hand,
fed her father Pop-Tarts and instant grits. This is a fact. Pop-Tarts
and grits! Lord knows what kind of shape his bowels were in by the time
of his death; Sarah did not discuss this with Hubert.
But she did bring up the hat.
"I just don't think we ought to let him go around looking like that,"
she said.
Hubert laughed. "Hell, he's
eighty-five years old. I think he ought to wear whatever damn kind of
a hat he wants to."
So Hubert had destroyed her
influence with Daddy, Hubert having his way as usual, Hubert who was possibly
even more spoiled than Ashley, God rest her soul, however.
Suddenly Sarah feels awful.
She sits down abruptly on
a Chippendale chair at the dining room table. She's so hot! Maybe it's
a hot flash, maybe she's getting the change of life. "Is there any ice
tea?" she asks Gladiola, who runs to get it.
Thank God! There ought to
be iced tea in any decent household in the summertime of course, anybody
knows that. Mama was nuts on the subject. And among the three children,
Sarah is the only one like Mama, that soft pretty woman Sarah can hardly
remember right now, sweet Mama who died of a racing heart twelve years
ago.
Sarah left work the minute
she got the message, and drove all night long to get home in time to see
to every detail of Mama's funeral. Then she volunteered to stay home to
take care of Daddy, who was just lost without Mama, it was really the
saddest thing. You can't imagine how he carried on.
But instead, here was Ashley
back from California, flat broke, to recuperate from the second of her
two divorces.
So Sarah stayed on in Richmond,
where she is a buyer for the housewares section of Miller and Rhoads,
a perfectly elegant downtown department store with branches in all the
suburbs. In Richmond, Sarah has her book group, her bridge club, and a
whole host of lovely friends. To be perfectly honest, Sarah was glad to
stay in Richmond, in her new condominium with its eggshell walls and its
silk ficus in the foyer. Daddy was disorderly and always had been, not
to mention his drinking. Drunk and disorderly, ha!
Come to think of it, they
were all disorderly--Daddy, Hubert, and Ashley--not to mention all of
Hubert's and Ashley's spouses and children, a great straggling parade
which Sarah loses track of. Lost, Sarah corrects herself. Which she has
lost track of, as Ashley herself is lost.
Poor Ashley wasn't even married
to the man who caused her last, fatal pregnancy. At the time, she wasn't
married at all, and he was married to somebody else. But she was sure
he would marry her, Ashley had confided to Sarah that summer morning nine
years ago. They were sitting in the kitchen after breakfast, drinking
coffee. It was already hot. Mama's climbing rose was blooming profusely
all over the trellis. Sarah remembers that morning like it was yesterday.
Ashley leaned forward, so excited that spots of color stained her porcelain
cheeks. She looked like a person running a fever. She spilled coffee on
her flowered robe.
"He loves me so much," she
said. "You can't imagine." Two weeks later she was dead of an ectopic
pregnancy.
Sarah drinks her iced tea.
She finishes with the knives: thirty-six of them, all accounted for. She
smiles at Gladiola. "There now," she says.
Gladiola grins back. She's
a fat, foolish woman, poor white trash if Sarah ever saw it, of course
up here in the mountains this is common. People spill over from one social
class into another all the time--it's hard to know who's nice. This is
not true in Richmond, where the help is black and a proper distance can
be maintained.
Sarah has been absent from
her job at Miller and Rhoads for five days now, but she will be back on
Monday. She can't afford to stay any longer. As it is, they will begin
carrying three new lines of china during her absence, all of them informal:
Pietri, heavy painted pottery from Italy, covered with fanciful animals
and fish; Provence, oversize French china patterned in wild flowers; and
Hacienda-Ware from the Southwest, all earth colors (terra-cotta, sagebrush,
sunset, and dawn, ha!), which looks like hell in Sarah's opinion. All
of it looks like hell. So does that new girl they've hired to "help" Sarah
with the expanded china department, a girl with rat's-nest hair and deadwhite
makeup and some kind of a degree in "design." Sarah knows she will hate
everything this girl likes.
What Sarah loves with all
her heart is her mother's delicate bone china right over there in the
breakfront, china so thin you can practically see through it. It will
just kill her to split up the set with Hubert, who is totally unable to
appreciate it. Well, a salad fork is missing, no surprise. Also two butter
knives--no, three butter knives!
Out the window, Sarah sees
Everett Sharp drive past in his little green car. Everett Sharp is the
undertaker who buried Daddy two days ago. Sarah had lost touch with him
since their high school days, but she was pleasantly surprised by his
manner: respectful, attentive, but not unctuous. Not pushy. Everett Sharp
is a tall, thin balding man, with a red beard and a high potbelly. Sarah
has to start over on the soup spoons.
"Let's us stop for lunch now
and I'll tell you about the wedding," Gladiola says. Gladiola knows how
to get Sarah's attention.
"What wedding?" Sarah is a
fool for weddings. She stops counting and wipes her face with a napkin.
Actually, she's so hot, she's glad to stop for a while.
"Let's us go on in the kitchen
and I'll tell you," Gladiola says.
Sarah closes the lid of the
silver chest and goes to sit in the old kitchen rocker while Gladiola
makes pimiento cheese sandwiches, Sarah's favorite since childhood.
"Well, you knew Roxanne was
fixing to get married," Gladiola begins.
Sarah stares at her. "You
mean Missy," she says automatically. It's a shame how Gladiola's face
has fallen in like spoonbread around her mouth. She used to be a pretty
woman.
"No ma'am," Gladiola answers
emphatically. "I mean "Roxanne."
"But Roxanne is only seventeen,"
Sarah says. "Isn't that so?"
"Yes ma'am," Gladiola says.
"But can't nobody do a thing with Roxanne once she takes it in her head
to do something. She's been like that ever since she was a little girl,
ever since she was Bonnie's age."
As if on cue, Bonnie comes
tracking dirt across the clean kitchen floor on her way to the sun porch,
where she turns on the TV. Sarah sighs, bites her lip, says nothing. It
is possible to say too much, she knows this, and really this pimiento
cheese is very good.
"Tell me about the wedding,"
she reminds Gladiola.
"Well, I don't know where
Roxanne got this idea, mind you, but she took it into her head that she
just had to have a blue wedding."
"A what?"
Gladiola hands Sarah another
sandwich, then sits down and grins at her. "A blue wedding! All blue!
See, blue is Roxanne's favorite color, always has been, why last year
when she was head majorette she forced them to let her make herself a
new uniform, blue with gold trim instead of gold with blue."
"Do you mean to tell me that
Roxanne had a blue wedding dress?" Sarah fans her face with a copy of
Time magazine.
"Ordered it," Gladiola corrects
her. "We ordered everything through Judy's Smarte Shoppe. You know Judy
is real reliable, so usually everything comes in right when she says it
will. We ordered a baby-blue wedding dress and veil, and baby-blue tuxedos
for Sean and his brother and the two groomsmen, and three baby-blue dresses
with an Empire waist and puff sleeves for the bridesmaids."
"My goodness!" It is all Sarah
can think to say.
"But then Roxanne and Tammy--that's
her best friend, Tammy Bird--had a big falling-out," Gladiola goes on,
"and so Tammy said she wasn't going to be in the wedding after all, and
Roxanne said that was fine with her, for Tammy not to be in the wedding,
and so Roxanne called Judy up and canceled Tammy's dress. But Judy happened
to be out sick that day, well, actually, she was over at Orange County
Hospital getting her tubes tied and her mother was keeping the store for
her. You know everybody thinks she's got Alzheimer's."
"Who?"
"Mrs. Dewberry," Gladiola
says. "Judy's mother. But I don't think she's got it. I think everybody
just says that because it's popular."
"What is?" Sarah manages to
ask.
"Alzheimer's," Gladiola says.
"That's one of those diseases nobody ever heard of until it got popular,
and now everybody's got it, like that other one, you know the one I mean,
the one where you diet until you die, nobody ever heard of that one until
it got popular, either."
"Anorexia," Sarah says weakly.
"Whatever," Gladiola says.
She lights a cigarette.
"The wedding," Sarah says.
"Well, so Judy's mother went
and canceled the whole order, is what she did, instead of just the one
dress, and forgot to say anything about this to Judy, so when the Thursday
before the wedding comes and Roxanne's order doesn't come in, Judy calls
them up. It's this company in New Jersey."
"Can I have a Coke?" Little
Bonnie plants herself in front of Gladiola, but Sarah stands up and gets
it herself out of the refrigerator. She gives it to Bonnie, then pushes
her back out on the sun porch, where All My Children is on TV. Sometimes
Sarah actually watches that show herself, back home in Richmond on her
rare days off, of course she'd never admit it to a soul.
"What about the wedding?"
Sarah asks when she returns.
"They couldn't have it," Gladiola
says. "Judy had to reorder everything."
"Rut I would have thought
that since the church was already reserved, I would imagine, and the minister
all lined up, and the invitations sent, for heaven's sake..." Horror crosses
Sarah's face. "I would have thought that they would hold the wedding regardless,
and just find something else to wear. Perhaps something more traditional,"
she adds hopefully.
"Not on your life!" Gladiola
laughs. "Roxanne had her heart set on a blue wedding." Gladiola shakes
her head. She acts like it was all out of her hands, every bit of it,
like sue is powerless in the world. But Gladiola was the Mother of the
Bride! Sarah cannot say a word, she just stares at Gladiola, who goes
right on with the story. "Well, Preacher Sizemore said he could marry
them anytime they took a notion to do it, so they set another date, and
Judy reordered everything, and we got on the telephone and called up everybody
we could think of, and so we put it off. But then, do you know what those
rascals done?"
"Who?"
"Roxanne and Sean."
"What? What did they do?"
Sarah cannot imagine.
"They went ahead and moved
in together just like they had gone and gotten married after all! I was
mad as fire. But there wasn't nothing I could do of course, you can't
do a thing with Roxanne, and they already had this trailer that Sean's
uncle had gave them after he built himself a new brick home out on the
Bluefield road. It's got an aboveground swimming pool," Gladiola says,
"which I think are so ugly."
Sarah unbuttons the top two
buttons of her blouse and rolls up the sleeves. " Then what?
"Well, so they move into this
trailer, which is already decorated real cute, and Sean buys them a new
car, which he's real proud of, that he bought cheap in a bankruptcy auction.
A black Trans Am, they were both crazy about that car."
"How old is Sean?" Sarah asks.
"Nineteen," says Gladiola.
"So anyway, they get all moved in together, and the wedding is set for
two months off, and then Roxanne signs up for that nursing program at
Mountain Tech. You know she was always so smart."
Sarah nods. Too smart for
her own good, is what Sarah thinks.
"Well, this is when the trouble
really starts." Gladiola lights another cigarette. "Sean's a real jealous
person, it turns out. He can't stand for her to go anyplace without him,
and he especially can't stand for her to drive off anyplace in the car
without him. He gets downright peculiar about that car. So anyway, on
the day that Roxanne has to register over at Mountain Tech, there's a
big thunderstorm, and the computers go down. So it takes her forever to
get registered, and it's nearabout dark when she gets back to the trailer."
"Can I have one of those?"
Sarah reaches for Gladiola's pack of Salems.
Gladiola nods absently. "All
I can say is that Sean Skeens went temporarily insane because she was
over at Mountain Tech so long. Why, as soon as she pulled up in the road,
he came busting out of that trailer hollering all this crazy stuff about
Roxanne going off in the car to see other men, and such as that, and then
you won't believe what he did next!"
"What?" The nicotine is making
Sarah feel high, dizzy.
"He picks up this two-by-four
that was laying right there, that they were fixing to build a deck with
onto the trailer, see, they had them a big pile of treated lumber that
they got on sale from Wal-Mart, and Sean's brother was going to help them
build the deck."
Sarah leans back in the rocker
and shuts her eyes. It crosses her mind that Gladiola is trying to drive
her crazy. "Go on," she says. She blows smoke in the air.
"Well, Sean Skeens proceeds
to lay into that car something terrible. He busted ever window clean out,
he was so mad, and then started in on the dash."
Sarah sits bolt upright. "But
that's terrible! What did Roxanne do?"
Gladiola is putting things
back into the refrigerator now. "I'm ashamed to own it," she says, "but
Roxanne picks up this other two-by-four and hits Sean Skeens right upside
the head, just as hard as she can."
"Good heavens!" Sarah is suddenly,
horribly agitated. She feels like she has to go to the bathroom. Instead
she reaches for another cigarette.
"Yes ma'am. Broke his nose
and one cheekbone and some little bone right up here." Gladiola points
to her eyebrow. "I forget what you call it. Anyway, blood went all over
the place, it was the biggest mess. Now they've got Sean Skeens wired
up till he can't eat no solid food, he can't have nothing but milk shakes.
He's still in the hospital. His mother has gone and charged Roxanne with
assault and battery, and Roxanne has charged Sean with destruction of
personal property. I tried to talk her out of it, I said, `You'll have
to pay that lawyer out of your own pocket,' but you know how she is."
"So what happened then?"
"Nothing yet. They're all
going to court next week." Gladiola wipes off the kitchen counters and
spreads her dishrag on the sink to dry.
"And the wedding is off?"
Sarah feels an overwhelming sense of loss.
"You're damn right!" Gladiola
says. "They was too young to marry in the first place. Plus they was too
crazy about each other, if you know what I mean. They would of wore each
other out or killed each other, or killed somebody else. It wasn't no
way they could of stayed together."
The front doorbell rings and
Gladiola goes to answer it, leaving Sarah alone in the kitchen, where
she rocks back and forth slightly, hugging herself. Sarah feels like she
is hovering over her whole life in this rocking chair, she feels way high
up, like a hummingbird. It occurs to her that the change of life might
not be so bad. No change of life might be worse.
"What is it?" She struggles
to her feet.
Everett Sharp has to repeat
himself.
"I do hope I haven't come
at a bad time," he says, "although no time is good, in such a season of
sorrow. I just wanted to thank you for your business and tell you I hope
that everything met with your standards. I guess we probably do things
different up here in the mountains...." Everett Sharp trails off, looking
at her. He has to look down, he's such a tall man; this makes Sarah feel
small, a feeling she likes.
"Sally Woodall," he says suddenly,
with a catch in his voice. "Aren't you Sally Woodall? From high school?"
And then Sarah realizes he
didn't know who she was at all, not really, he hadn't even connected her
with her teenage self of so many years before. Everett Sharp moves closer,
staring at her. His long white bony arms poke out of his short white shirtsleeves;
his forearms are covered with thick red hair. Sarah feels so hot and dizzy
she's afraid she might pass out.
"My wife died last year,"
Everett Sharp says. "I married Betty Robinson, you might remember her.
She was in the band."
Sarah nods.
"Clarinet," says Everett Sharp.
Then he says, "Why don't I take you out to dinner tonight? It might do
you good to get out some. They've got a seafood buffet on Fridays now,
at the Holiday Inn on the interstate."
"All right," Sarah says, but
she can't take in much of what happens after that. Everett Sharp soon
leaves. It's so hot. Gladiola leaves. It's so hot. Sarah takes a notion
to look for her father's vodka, which she finally finds in the filing
cabinet in his study. She pours some into her iced tea and goes out on
the porch, hoping for a breeze. She sits in the old glider and stares
into the shady backyard, planning her outfit for tonight. Certainly not
the beige linen suit she's worn practically ever since she got here. Maybe
the blue sheath with the bolero jacket, maybe the floral two-piece with
the scoop neck and the flared skirt. Yes! And those red pumps she bought
on sale at Montaldo's last month and hasn't even worn yet, it's a good
thing she just happened to throw them into her traveling bag. This strikes
her as fortuitous, an omen. She sips her drink. The glider trembles on
the edge of the afternoon.
Then Sarah remembers something
that happened years ago, she couldn't have been more than seven or eight.
Oddly enough, she was sitting right here on this glider, watching her
parents, who sat out on the curly wrought-iron chairs beneath the big
tree drinking cocktails, as they did every evening. Sarah was the kind
of little girl who sat quietly, and noticed things. Actually she spied
on people. Her mama and her daddy were leaning forward, all dressed up.
Mama's dress is white. It
glows in the dark. Lightning bugs rise from the grass all around, katydids
sing, frogs croak down by the creek. Sally has already had her supper.
She wants to go back inside to play paper dolls, but something holds her
there on the porch, still watching Mama and Daddy as they start to argue
(jerky, scary movements, voices raised), and then as they stand, and then
as Daddy kicks over the table, moving toward Mama to kiss her long and
hard in the humming dark. Daddy puts his hands on Mama's dress.
The force of this memory sends
Sarah back inside for another iced tea and vodka, and then she decides
to count the napkins and place mats, and then she has another iced tea
and vodka, and then she realizes it's time to get ready for her dinner
date, but before she's through dressing she realizes she'd better go through
the whole upstairs linen closet just to see what's in there, so she's
not ready, not at all, not by a long shot, when Everett Sharp calls for
her at seven, as he said.
He rings the front doorbell,
then waits. He rings again. He doesn't know!--he couldn't even imagine!-that
Sarah is right on the other side of the heavy door, not even a foot away
from him, where she now sits propped up against it like a rag doll, her
satin slip shining in the gloom of the dark hallway, with her fingers
pressed over her mouth so she won't laugh out loud to think how she's
fooled him, or start crying to think--as she will, again and again and
again--how Sean must have felt when his very bones cracked and the red
blood poured down the side of his face, or how she must have felt, hitting
him.
Use of this excerpt
from News of the Spirit by Lee Smith may be made only for purposes
of promoting the book, with no changes, editing or additions whatsoever,
and must be accompanied by the following copyright notice: copyright ©1997
by Lee Smith. All Rights Reserved.
Excerpted from News of the Spirit © Copyright 2009 by Lee Smith. Reprinted with permission by Ballantine Books. All rights reserved.
Click here now to buy this book from Amazon.
top of the page